Camille has an interdisciplinary practice that spans drawing, performance, and photography. Her work explores the power of storytelling as a tool for self expression, a way of challenging gendered identity formation, and a democratising force. Camille works on solo projects, as well as larger participatory engagements.
The Night Diaries (2023 on)
Reflexive drawings tracking my Doctoral Research.
The People’s Flower Project (2022)
A community outreach oriented public artwork designed to embrace diverse perspectives about the Queen’s Jubilee.
Weird & Wonderful Whitstable (2021)
A collection of playful drawings and digital collages about Whitstable in the UK.
Windows to the Soul (2023)
Site specific installation on the Canterbury High Street, UK.
A Moving Story (2021)
A suite of watercolour drawings about finding ‘home’.
Feels like Magic (2020)
A series of images and films made about the surreal experience of lockdown in South Coast NSW in Australia.
Skull Centric Behaviour (2011 to 2020)
A series of drawings and sculptures exploring our relationship with the natural world.
Star Bright (2019)
A public artwork for Brisbane City Council and a message home.
Mapping the Antipodes (2016 to 2017)
A commission for the Lady Cilento Children’s Hospital Neurology ward in Brisbane (Australia) developed in dialogue with staff and patients.
Oz Clouds (2016)
A public art commission for a controversial Australian national holiday designed to acknowledge and support simultaneous and multiple perspectives on national identity.
The Wonderful Land of Oz (2012 t0 2015)
A series of photographs exploring Australian identity developed with a group of fantastic performers and friends.
Global Pandemic (2020)
A series of exasperated drawings about the pandemic.
Grey Days (2020)
A series of graphite images about my family’s first winter in England.
Couplets (2020)
A series of watercolours and films about being an Australian migrant in England.
The Life Fantastic (2018)
A visual journal created during a residency.
Land Down Under #7 (2016)
An interactive commission for a young people at Hazelhurst Regional Gallery & Arts Centre, Sydney (Australia).
Éden (2016)
Costume and prop design for a theatre performance directed by Genevieve Butler and performed at Wattspace Gallery by Matthew L Heys, Alex Murray and Emily Pierce.
A trip to Oz (2014)
A short film exploring the colonial history of Australia and my family heritage. The film features an original score by Jan Fadness, and stars Matthew Eden.
Circle (2018)
A site specific work about loss.
Azimuth (2017)
Messages in bottles for my brother.
Sunny South (2016)
A multimedia installation about swimming.
Ladies of Oz (2016)
A series of portraits of women from Australian history in various media.
Sandcastle Competition (2015)
An interactive public artwork developed for the people of Wynnum through community consultation and a public competition.
Venus of Brisbane (2015)
Drawings and photographs responding to a controversial theory about the Venus of Willendorf statuettes.
Swan Song #7 (2014)
An interactive installation commissioned for the Museum of Brisbane (Australia) developed in response to David Malouf’s Novella Fly Away Peter.
Land of Oz Research Drawings (2012)
A series of research drawings about Australian culture and landscape.
Masters of the Universe (2012)
Watercolour explorations of Greek myths learnt from a beloved Godfather.
Shadows of Australia (2011)
Watercolour contemplations of Australian Identity.
Australian at Heart (2011)
Images exploring the complications of colonial settler heritage.
Animal Offerings (2010)
A series of watercolours exploring human beings abusive relationship with other animals.
Hands of God (2010)
Visual investigations of the relationship between religion and capitalism.
The Printed Stage (2020 on)
Printable props, costumes and scenery that individuals, community groups and organisations can use to create their own stories.
Go Slow (2022)
A co-designed project with young people in Whitstable addressing traffic congestion.
Messages of Hope, Messages of Love (2020)
Imagery for Michaela Gleave’s major public artwork at the Art Gallery of NSW, Australia.
Medusa (2010)
Early experimentations with the relationship of myth and identity.
Tremendous Zoomorphic Powers (2009)
Costumed investigations of gender in mythology.
Disenchanted World (2008)
A mixed media series exploring narrative tropes about pirates.
Masters of the Universe (2009)
Paper based explorations of Greek myths and imagery.
Dressed to Impress (2008)
Early works exploring role play and performed identities.
AI Parliamentarian Portraits (2024)
Responding to the sexist Channel 9 (Australia) of MP Georgie Purcell this is a portraiture collaboration with AI portraying male MPs in the Australian cabinet as women.
For the Birds (2008)
Small layered drawings with paper craft embellishments about animals in captivity.
Fringe Dwellers (2013)
Collaborative photograph developed on residency at Nillumbik (Australia).
Neptune’s Estrangement (2013)
An interactive installation inviting participants to reconstruct the story of Medusa. Developed in collaboration with Inhouse ARI.
Ken Done it! (2013)
An installation and performance exploring the relationship between Australian white settler identity and country.
Ovid’s Medusa (2013)
A photographic project reconstructing the story of Medusa with reference to Australian migration policies.
Ovid’s Medusa Group Shots (2013)
Photographs about collaboration focusing on the team of wonderful people who helped me make Ovid’s Medusa and the experience of working together.
Insatiable Progress (2013)
An interactive photo board for a party at the Museum of Contemporary Art (Australia) about the conspiracy theories surrounding the moon landing.
After Arthur (2013)
A series of photographs responding to the work of famous Australian artist Arthur Boyd on his property at Bundanon, near where I grew up.
A Perfect Day (2012)
A pen pal exchange recorded in images between myself in Brisbane and Stephanie Hicks in Melbourne.
Last in Worst Dressed (2012)
A series of photographs exploring the relationship between narrative and identity.
Creative Non Fiction Magazine (2012)
Illustrations for the Australian Issue of Creative Non Fiction Magazine.
Breath of Life (2010)
A series of photographs about representing identity using interdisciplinary practice.
Hunter to Hunted (2008)
A series of photographs about gendered violence.
Constable is Cool (2006)
An interactive installation in an Australian ARI expanding and interpreting an image by English painter John Constable.
Youse have voted for a world of pain (2005)
An installation exploring the relationship between the individual and the state inspired by street graffiti following the 2004 Australian federal election.
Do you fear what I fear? (2005)
My first ever solo show, which explored the relationship between ‘woods’ in narratives as locations of gendered violence and places of fear for girls and women.